FUNNY MOCHI
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ARTICLES |
An Instrument
"Twenty years ago, I drove a cab for
a living. It was a cowboy's life, a life for someone who wanted
no boss. What I didn't realize was that it was also a ministry.
Because I drove the night shift, my cab became a moving confessional.
Passengers climbed in, sat behind me in total anonymity, and told
me about their lives. I countered people whose lives amazed me,
ennobled me, made me laugh and weep. But none touched me more
than a woman I picked up late one August night.
I was responding to a call from a small
brick fourplex in a quiet part of town. I assumed I was being
sent to pick up some partiers, or someone who had just had a fight
with a lover, or a worker heading to an early shift at some factory
for the industrial part of town.
When I arrived at 2:30 a.m., the building
was dark except for a single light in a ground floor window. Under
such circumstances, many drivers would just honk once or twice,
wait a minute, then drive away. But I had seen too many impoverished
people who depended on taxis as their only means of transportation.
Unless a situation smelled of danger, I always went to the door.
This passenger might be someone who needs my assistance, I reasoned
to myself. So I walked to the door and knocked.
"Just a minute," answered a frail, elderly
voice. I could hear something being dragged across the floor.
After a long pause, the door opened. A small woman in her 80s
stood before me. She was wearing a print dress and a pillbox hat
with a veil pinned on it, like somebody out of a 1940s movie.
By her side was a small nylon suitcase. The apartment looked as
if no one had lived in it for years. All the furniture was covered
with sheets. There were no clocks on the walls, no knickknacks
or utensils on the counters. In the corner was a cardboard box
filled with photos and glassware.
"Would you carry my bag out to the car?"
she said. I took the suitcase to the cab, then returned to assist
the woman. She took my arm and we walked slowly toward the curb.
She kept thanking me for my kindness.
"It's nothing," I told her. "I just try
to treat my passengers the way I would want my mother treated."
"Oh, you're such a good boy," she said.
When we got in the cab, she gave me an
address, then asked, "Can you drive through downtown?"
"It's not the shortest way," I answered
quickly.
"Oh, I don't mind," she said. "I'm in
no hurry. I'm on my way to a hospice."
I looked in the rearview mirror. Her eyes
were glistening. "I don't have any family left," she continued.
"The doctor says I don't have very long."
I quietly reached over and shut off the
meter. "What route would you like me to take?" I asked. For the
next two hours, we drove through the city. She showed me the building
where she had once worked as an elevator operator. We drove through
the neighborhood where she and her husband had lived when they
were newlyweds. She had me pull up in front of a furniture warehouse
that had once been a ballroom where she had gone dancing as a
girl. Sometimes she'd ask me to slow in front of a particular
building or corner and would sit staring into the darkness, saying
nothing.
As the first hint of sun was creasing
the horizon, she suddenly said, "I'm tired. Let's go now."
We drove in silence to the address she
had given me. It was a low building, like a small convalescent
home, with a driveway that passed under a portico. Two orderlies
came out to the cab as soon as we pulled up. They were solicitous
and intent, watching her every move. They must have been expecting
her. I opened the trunk and took the small suitcase to the door.
The woman was already seated in a wheelchair.
"How much do I owe you?" she asked, reaching
into her purse.
"Nothing," I said.
"You have to make a living," she answered.
"There are other passengers," I responded.
Almost without thinking, I bent and gave
her a hug. She held onto me tightly.
"You gave an old woman a little moment
of joy," she said. "Thank you."
I squeezed her hand, then walked into
the dim morning light. Behind me, a door shut. It was the sound
of the closing of a life. I didn't pick up any more passengers
that shift. I drove aimlessly, lost in thought. For the rest of
that day, I could hardly talk. What if that woman had gotten an
angry driver, or one who was impatient to end his shift? What
if I had refused to take the run, or had honked once, then driven
away? On a quick review, I don't think that I have done anything
more important in my life.
We're conditioned to think that our lives
revolve around great moments. But great moments often catch us
unaware -- beautifully wrapped in what others may consider a "small
one."
From "Make me an instrument of your peace"
by Kent Nerburn
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